![]() If the footage is Raw, then I would add you need to make the Camera adjustments first, because that is the very first level in the processing chain. On rare occasions, I'll tweak the whites with Highlight, but you can also do this with white clips or a luminance curve. ![]() I personally think the Log controls are dangerous and can wreak havoc (particularly mids), and I prefer to use only the Shadows adjust blacks at the end of the node tree. I go with whatever's fastest and gets the best results. I'll try different methods for different projects, but there's many ways to get this to work. ![]() You could use a normalizing LUT you could use curves you could use contrast and pivot you could use primaries you could use the log controls. One of the powerful features of Resolve is that there's often a half-dozen different ways to accomplish the same thing. The manual goes into detail on how log-encoded footage should be "normalized" and then adjusted first with the offset wheel and then the log controls (as well as contrast and pivot), both of which should precede the normalization in node order.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |